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Tuesday, July 30, 2013

Raga Ahir Bhairav

Raaga Ahir Bhairav.
The most passionate, firm, strongly obsessive raga I personally have ever known.
Let the first few seconds pass and you’ll come to know what you’re dealing with, honestly!


As you go on with the track, no matter whoever the artist is, the first image that comes to your mind is of a dawn, not a pleasant one though. Unlike Bhoop and other obviously pleasant and happy mood ragas that are sung or played in the morning, Ahir Bhairav doesn’t create a happy picture.
To provide specifications, Komal Rishabh in it doesn’t make it happy and pleasant in an obvious way. But the Shuddha Dhaivat and the Komal Nishad manage to create an image of solace of sunlight over the dark sad horizons, almost creating a feel of mystery.

The overall feel is of passion, determination and a perseverance of fighting against the dark odds.

Even for those who don’t understand Marathi, the feel created by the song Teerth Vitthal would not create a different image than this. The last verses of the song explain it all. Sant Namdev says that He has found God and now has no fear for the ups and downs that would show up anymore!
Try the fusion tracks first, if not hard core Indian Classical. I am sure you’ll find it obsessive. Here are some more links of fusion in Ragas. Let know how you felt! Suggestions are welcome!




                                     


2 comments:

  1. 'Albela sajan aayo re' is another widely performed bandish/song in Ahir Bhairav. For those who have not heard pure classical versions of this bandish, 'Albela sajan...' was also a song in the movie 'Hum dil de chuke sanam'

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